"Residue: The Persistence of the Real" presents recent work by artists whose work seeks to reconsider or redefine perceptions of the real. With its emphasis on literal...
"Residue: The Persistence of the Real" presents recent work by artists whose work seeks to reconsider or redefine perceptions of the real. With its emphasis on literal...
"Residue: The Persistence of the Real" presents recent work by artists whose work seeks to reconsider or redefine perceptions of the real. With its emphasis on literal description and linguistic transparency, Realism can be seen to have been censured since the early twentieth century. Some 70 years ago, the playwright Bertolt Brecht famously noted that a photograph of the exterior of a factory tells the viewer next to nothing about the factory as an institution or the human relations embodied within it. This scepticism toward the truth of or objectivity of the image was extended in the late twentieth century with the rise of conceptual art and the development of critiques which proposed that, in a world pervaded with spectacular images, the task of the artist should be to deconstruct the systems through which images flow. The most evident indication of this is the shift of the status in photography, which has been transformed from a secondary medium into one that is perhaps more highly valued than traditional media. In partnership with Vancouver Art Gallery.
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